Pride & Prejudice in Words and Music

A Musical Introduction featuring Madeleine Easton and Daniel Le

Pride and Prejudice, a musical reading featuring Nadine Garner with Madeleine Easton and Daniel Le


Introduction from the Director

It is hard to believe that when Jane Austen first published ‘Pride and Prejudice’, novels were not a source of literary integrity. Until her, they were the equivalent of 1980’s comic books; very slight and without significant structure or complex character development. Austen showed what the novel was capable of, with an engaging narrative, laced with wit and irony that not only transported the reader but commented on society in ways previously unavailable to women. Through Jane Austen, the novel gave women a voice – and a critical one at that. And the reader was an active participant; required to engage imaginatively and read through a carefully managed tone to hear the criticism that lay beneath. For her time, Jane Austen’s insightful criticism of the social hierarchy was considered dangerous, and her expression of this could only be shared through ironic approaches to a fictional narrative. It was also irresistibly romantic. When published, (anonymously) this novel started a literary revolution. It has not been out of print in over 200 years.

During the pandemic, when we were all so separate – and yet so seemingly connected- I became increasingly aware of the value of stories. I also became aware of the contradiction that simplicity in storytelling can have a profoundly complex impact. Story and Music are the two elements I hold dear in my work, and life. So, when Phil Bathols asked me to direct this reading, which brought together the incredible music of Carl Davis from the BBC TV series and Jane Austen’s words, (which had enjoyed a wonderful run in the UK) I was delighted.

I’m saddened by the fact that we are losing our love of language. So, exploring this with an expert narrator in the form of Nadine Garner, who recites this story as a shared presentation, (balanced equally between voice, violin and piano), has been a delight.

It also seemed an absurd privilege to me that we were engaging musicians of this extraordinary international calibre and not fully utilising their talents. The first act therefore is the classical music equivalent of a ‘support band’, but one of the highest calibre, who set the scene as we travel back 200 years to the Regency era and remind us that, for all the obvious social etiquette, we have not travelled that far.

The show’s official title is, ‘Pride and Prejudice – in Words and Music’. In this setting, the narrative is shared; where words stop, music continues. That balance has been central in our pursuit, knowing that the third element- Imagination – was being brought by you, the audience. Thank you for your contribution.

In the 1790’s, long before Spotify or Netflix, drawing room readings were common, as were ‘listening parties’ shared with an intimate audience or avid listeners. Today, we invite you to travel back a few centuries, to imagine the candles lit, the fireplace ablaze, the reader poised, as we gather around to listen to a story for the ages, performed by some of the greatest artists I know.

Enjoy

Tyran Parke


Cast

Nadine Garner

Nadine Garner

Actor

Daniel Le

Daniel Le

Piano

Madeleine Easton

Madeleine Easton

Violin


Creative Team

Tyran Parke

Tyran Parke

Director

Mikailah Looker

Mikailah Looker

Set & Costume Designer

Matthew Tunchon

Matthew Tunchon

Lighting Designer

Gill Hornby

Gill Hornby

Adaptation

Carl Davis

Carl Davis

Composer


Production

Produced by Phil Bathols for Spiritworks and Simon Bryce for Theatre Tours International

info@theatretours.com.au

Associate Producer:
Vicki Mackay

Ticketing Manager:
Jeff Boltze Consulting

Marketing and Advertising:
Simon Godkin, Millmaine Entertainment

National Publicist: 
Michael J. Wilkie, Make A Difference (MAD) PR.